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Aaron Holloway Nahum

Composer : Conductor : Recording Engineer

Aaron Holloway-Nahum (b. 1983) is one of his generation’s leading composers, conductors and recording engineers.   

Characterized by experimental narrative structures, a growing interested in live multi-media, detailed, ornate timbres and bold melodic unisons, Aaron’s music has been performed in nearly twenty countries. He was one of two composers on the 2018/19 Peter Eötvös Foundation inaugural mentoring programme and his commissions include the BBC Symphony Orchestra, London Symphony Orchestra, Plural Ensemble, The Pannon Philharmonic, HOCKET, the London Sinfonietta, Third Coast Percussion, Ensemble Chartreuse, duo Harperc and the Atea Wind Quintet.

Aaron’s career combines this compositional knowledge with a variety of additional skills: As a conductor and arts entrepreneur, he most prominently serves as the conductor, Chief Executive, and co-Artistic Director of Riot Ensemble, an organization that gives more than thirty performances per year and has premiered over 350 original works. A growing interest in spatial audio – alongside is experience as a recording engineer and managing director of Coviello Productions (the Arditti Quartet, Sandbox Percussion, Ensemble Intercontemporain, etc…) recently led Aaron into a role as the Head of Soundscape with Southby Productions. Aaron is on the composition faculty of the Royal Academy of Music, and he lives in London with his wife and three sons. 

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News and Performances

New Work for Cello & d&b Soundscape

I’m thrilled to be writing a new work for cellist Louise McMonagle, including immersive spatialised electronics in d&b Soundscape. The piece will be premiered on 29th September at Kings Plac…
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World Premiere: Deal Festival

My work As the soul receds in what the years bring received its World Premiere performance at the Deal Music & Arts Festival. Conducted by Thomas Kemp with Chamber Domaine, the performance was e…
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Interview with Thomas Kemp

Ahead of the world premiere of my new work As the soul recedes in what the years bring (which, rather naughtily, interrupts a performance of Bach’s 2nd Brandenburg Concerto and slowly descends…
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Leading a PRS day for Composers

How are programmes made? How do curators build up a coherent universe over years of programming? How do composers find a life for their work? I’m proud to have worked alongside Dan Lewis at PRS …
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