Full Catalogue (chronological)
Aaron’s recent work is published by Composers Edition.
Some early pieces are available at Wise Music.
In all instances you are welcome to contact Aaron for persual scores.
2025 [upcoming]
If I am from somewhere, I am from there [20’]
for Marie Schreer (solo violin) with stereo playback and optional video
commissioned with funds from the PRS Foundation
dig it! [40’]
for GBSR Duo (percussion, keyboards) with spatialised electronics (d&b Soundscape) and video by Dejan Mrdja
commissioned by the Darmstadt Ferienkurse
2024
Will I ever be able to sing? [8’]
for Louise McMonagle (solo cello) with spatialised electronics (d&b Soundscape)
commissioned with funds from the Vaughan Williams & Hinrichsen Foundations
I Contemplate Snippets of Silence and Find them Few [14’]
for Marco Blaauw (trumpet), Ty Bouque (Baritone) and electronics (cassette playback)
commissioned for the ECLAT Festival
As the soul recedes in what the years bring [5’]
to be inserted into Bach’s Brandenburg Concerto No. 2 (for same instrumentation)
commissioned by the Deal Music & Arts Festival
2023
Days, Distance, Days [20’]
for Ivo Nilsson (Trombone Soloist) and gageego! with stereo electronics
[1.0.2.1.Sax/0.0.1 (Soloist).0/Perc/Hp/Pno+Keyboard/Str=0.0.1.1.1]
Everything Around Me is Crying to be Gone [20’]
for two harp soloists Emily Levin & Michelle Gott at the Northwestern University Contemporary Music Ensemble with stereo electronics
[1.0.1.0/1.1.1.0/2harp soloists/perc/keyboard/Str=0.0.1.1.1]
commissioned by Groundwork(s)
2022
Things to Do in the Belly of the Whale [20’]
for Hub New Music (flute, clarinet, violin, cello) with electronics and video
commissioned by Hub New Music
the heavens can make light and flame and ice and water [7’]
for solo accordion and electronics
commissioned by the Royal Academy of Music as part of their 200 pieces project
I Confused the Shadow with the Light [6’]
for bass flute, bass clarinet, basset horn, harp, percussion, viola & double bass
commissioned by the Distat Terra Festival
2021
The Strange Last Voyage of Donald Crowhurst [Unfinished, 80’]
Chamber Opera based on the true story of Donald Crowhurst
Libretto by peter Jones
[Baritone, Countertenor, Clarinets, Trombone, Accordion, Percussion and Cello]
2020
I Slow Down [12’]
for HOCKET (two pianos) and optional video
Imaginary Children I: How I Would Paint the Future [12’]
fixed media piece
2019
Vernichtung [22’]
for Horia Dumitrache (solo bass clarinet) and orchestra
[Solo Bass Cl + 1.1.2.1.TSax/2 Perc/Acc/Str=10.8.6.6.5]
commissioned by Peter Eötvös and the Pannon Philharmonic Orchestra
Like A Memory of Birds II [14’]
for Plural Ensemble [0.0.2.0/0.1.1.1/Perc/Pno/Str=1.1.1.1.1]
commissioned by Plural Ensemble
The New Hymns [14’]
for Stephen Upshaw (solo viola) and electronics
commissioned by Stephen Upshaw and NonClassical
2018
Ezra’s Nursery [15’]
for Wind Quintet
commissioned by Peter Eötvös
words repeated arrive eventually and irresistibly at prayer [12’]
for string trio
commissioned by Peter Eötvös
The Long March [11’]
for Clarinet, Bassoon, Trumpet, Trombone, Percussion, Violin and Double Bass
commissioned by Peter Eötvös
2017
Roll Your Trumpet [5’]
for HOCKET (piano four hands)
Forever Fleeing Earth’s Pull [12’]
for Flute and Guitar
commissioned by Duo Diamana
Like a Memory of Birds [7’]
for English Horn and Marimba
2016
Nyktomorph [10’]
for Bassoon and String Quartet
commissioned by Ben Roidl-Ward
It’s Important to be Able to Return [26’]
for string trio
commissioned by Ensemble Chartreuse
How Animals Grieve [14’]
for percussion quartet
commissioned by Third Coast Percussion
2015
Remember Me? [40’]
for HOCKET (piano four hands)
The Geometry of Clouds [15’]
for Piano Quartet
commissioned by the Aspen Music Festival, revised for the Tanglewood Music Festival
Un Motete Imagino Que Cantaba [12’]
for Nasduo (Clarinet, Percussion and Piano)
Interaction II [17’]
Bass Clarinet, Violin, Percussion and AV Projections
commissioned by the LSO as part of the Soundhub Scheme
2014
The Dialect of Lunatic Hurricanes [7’]
for Wind Quintet
Just Before the War with the Eskimos [7’]
for 2 Violins, double bass and 2 custom-cast bronze bells
commissioned by the Change Ringing Ensemble
The Flatulence of the Gods [6’]
for 5 Bass Clarinets, 4 Trombones, 2 Bassoons and 3 Contrabassoons
commissioned by Wednesdays at the Forge
2013
The Deeper Breath to Follow [12’]
for orchestra
commissioned by the BBC Symphony Orchestra
How to Avoid Huge Ships [8’]
for Wind Quintet
commissioned by the Atea Quintet
Arrangements of Five [10’]
for Clarinet Quintet
commissioned by Timothy Orpen
Expressions of Sea Level [8’]
for piccolo, clarinet, piano, percussion, violin & cello
commissioned by the Cheltenham Music Festival
Every Riven Thing [6’]
for Baritone and Piano
commissioned by the Aldeburgh Music Festival
2012
Plane Sailing [11’]
for solo soprano, flute, clarinet, piano and strings (1.1.1.1.1)
Le Campane che Svaniscono [8’]
for solo violin
commissioned by the highSCORE Festival
2008
The Poorer Silence Now [9’]
for solo oboe
commissioned by Sasha Calin
2006
for reasons, perhaps to do with sorrow [6’]
for solo cello
2005
Death Psalm [6’]
for solo soprano and piano