for two pianos and optional video (Q-lab session available from the composer) Composed during the 2020 COVID Lockdown, this piece translates the first wave of COVID deaths in Minnesota – where my father, brother and sister all work as physicians – into a musical form. The piece has an optional […]

for Marimba and English Horn This piece was commissioned by Joshua and Kristina Graham, and premiered by them in 2017. The Riot Ensemble performed this work at Dark Music Days 2018.

for Bassoon and String Quartet this piece was commissioned by Ben Roidl-Ward, and was premiered by him in 2016.

for string trio This piece was commissioned by Ensemble Chartreuse, and was premiered by them at MISE-EN PLACE, Bushwick, NYC, 10 June 2016

a 40-minute set of variations on Dido’s Lament for two pianists with one piano, two toy pianos and an array of other ‘toys’ This piece was commissioned by HOCKET, and was premiered by them in November 2016.

for amplified ensemble of bass clarinet, violin and percussion with video projection of same bass clarinet and violinist This piece was commissioned by the London Symphony Orchestra Soundhub Scheme, and was premiered at LSO St. Luke’s in January 2016.

for two violins, double bass and two custom-cast bronze bells This piece was commissioned by the Change Ringing Ensemble, and was premiered at Limewharf, Dec 2014, with Darren Bloom Conducting. The performers are: Eloisa-Fluer Thom (Violin), Ed McCullagh (Violin), Jakub Cywinski (Double Bass) and Tom Lee (Percussion).  

for Piano Quartet This piece was written for the 2014 Aspen Music Festival, at which I was the Polonsky Fellow in Composition, and was revised the next year for the Tanglewood Music Centre where I held the Elliott Carter Memorial Fellowship. The performers are: Lifan Zhu (Violin), Jacob Shack (Viola), Jesse Christenson (Cello) and […]